01/01/1995
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

Friedrich Karl Praetorius
as Macheath, genannt Mackie Messer

Jürgen Holtz
as Jonathan Jeremiah Peachum

Ingeborg Engelmann
as Celia Peachum, seine Frau

Katherina Lange
as Polly Peachum, seine Tochter

Axel Böhmert
as Brown, Polizeichef von London

Dorothee Hartinger
as Lucy, seine Tochter

Carola Regnier
as Die Spelunken-Jenny

Wilfried Elste
as Pastor Kimball

Stephan Grossmann
as Filch / Trauerweiden-Walter

Michael Lucke
as Ein Moritatensänger / Münz-Matthias

Jörg Pose
as Makenfinger-Jakob

Waldemar Kobus
as Säge-Robert

Eva-Maria Strien
as Alte Hure

Corinna Schnabel
as Vixen

Renate Wicke
as Dolly
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