Torn Boots
17/12/1933
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
Movie Information
Mikhail Klimov
as Pastor
Ivan Novoseltsev
as Valter's father
Varvara Alyokhina
as School teacher
Klavdiya Polovikova
as Blind woman
Vladimir Uralskiy
as Police agent
Lev Losev
as
Nikolay Losev
as
Anna Chekulaeva
as Valter's mother
Natalia Sadovskaya
as
Olga Bazanova
as (uncredited)
Georgi Millyar
as Passerby (uncredited)
Volodymyr Mikhajlov
as Passerby (uncredited)
Aleksandr Timontayev
as Policeman (uncredited)
Evgeniy Tokmakov
as (uncredited)
Nikolai Yarochkin
as Worker (uncredited)
